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Item Number: 109370
Title: Renaissance? Perceptions of Continuity and Discontinuity in Europe, c.1300- c.1550
Author: Lee, Alexander ; Pip Peporte ; Harry Schnitker (eds)
Price: Not Available
ISBN: 9789004183346
Description: Leiden: Brill, 2010. 25cm., hardcover, 370pp., 46 illus. Contents: Part I - The Renaissance and the Classical Tradition ; Introduction: Veteris vestigia flammae? The 'Rebirths' of Antiquity, Luke Houghton ; The Renaissance and the Middle Ages: Chronologies, Ideologies, Geographies, Robert Black ; Shakespeare and the 'Tragedy' of the Renaissance, Robin Kirkpatrick Humanitas Renata, Robin Sowerby ; Machiavelli's Appreciation of Greek Antiquity and the Ideal of 'Renaissance', George Steiris ; Part II- The Renaissance and the Arts ; Introduction: Seeing is Believing? The Renaissance and the Arts, Alexander Lee ; Vasari's Rinascita: History, Anthropology, or Art Criticism? Matteo Burioni ; The State of the Art, Rob C. Wegman ; Brunelleschi's Perspective Panels. Rupture and Continuity in the History of the Image, Johannes Grave ; Panofsky: Linear Perspective and Perspectives of Modernity, Rhys W. Roark ; Michelangelo's Mythologies, Maria Ruvoldt ; The Byzantine Influence on the Introduction of the Third Dimension and the Formation of Renaissance Art, Diotima Liantini ; Part III - A Wider Renaissance ; Introduction: A Wider Renaissance?, Alexander Lee ; Northern Renaissance? Burgundy and Netherlandish Art in Fifteenth-Century Europe, Hanno Wijsman ; Forgotten Paths to 'Another' Renaissance: Prague and Bohemia, c.1400, Klára Benešovská ; A New World of the Mind? Renaissance Self-Perception and the Invention of Printing, Andrew Pettegree ; The 'Invention' of Dürer as a Renaissance Artist, Jeffrey Chipps Smith ; Notes on the History of Renaissance Scholarship in Central Europe: Bialostocki, Schlosser and Panofsky, Ingrid Ciulisová.
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