Contents: Carolyn C. Wilson, Introduction ; Colin Eisler, Giovanni Bellini's Iris and Autopsia's Stylistic Role ; Amy N. Worthen, An Inconvenient Text - The Supplementum Chronicarum as a Source for Information about Gentile and Giovanni Bellini ; Elizabeth Perkins, Giovanni Bellini, Antonello da Messina, and the "Signs of Men's Character" ; Eveline Baseggio Omiciolli, New Interpretations for Jacometto's Opera Perfettissima - Parallels in Portraits by Giovanni Bellini and Leonardo da Vinci ; Paul Hills, Vesting the Body of Christ ; Brigit Blass-Simmen, "Qualche lontani" - Distance and Transcendence in the Art of Giovanni Bellini ; Rosella Lauber, "Finito et ricercato mirabilmente". Per nuovi contribuiti sul 'San Francesco nel deserto' di Giovanni Bellini, ora nella Frick Collection di New York ; Mauro Di Vito, Il verbasco fiorito del 'san Francesco che ricive le stimmate' di Giovanni Bellini alla Frick Collection ed altri appunti di storia naturale ; Catarina Schmidt Arcangeli, Bellini's Private Devotional Images - A "Boom" around 1500 ; Antonio Mazzotta, An Overlooked Portrait of Gabriele Veneto and Some Reflections on Giovanni Bellini around 1500 ; Karolina Zgraja, Two Drawings of Male Heads - A Contribution to the Study of Giovanni Bellini's Drawings and Underdrawings ; Costanza Barbieri, "Apparņ i primi principi da Giovan Bellino allora vecchio" - questioni aperte sulla formazione di Sebastiano ; Beverly Louise Brown, Poetry in Motion - Bellini, Titian, and the all'antica Relief ; Patricia Meilman, Always a Challenge - Titian and Giovanni Bellini, Peter Humfrey, The Reception of Giovanni Bellini in Britain (c. 1500-1900).

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