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Item Number: 118370
Title: The Artist's Process: Technology and Interpretation : Proceedings of the fourth symposium of the Art Technological Source Research Working Group
Author: Green, Sigrid Eyb ; Joyce H. Townsend (eds)
Price: Not Available
ISBN: 9781904982739
Description: London: Archetype, 2012. 28cm., pbk., 217pp., 104 color, 147 b&w illus. Contents: From source to chronology: studies on macro-scale behaviour in art technology, Nicholas Eastaugh ; Living sources: experts, masters and practitioners, Timea Tallian ; Some thoughts on realia: material sources for art technological source research, Ad Stijnman ; Judging art: lawsuits involving the painter and sculptor Alonso Berruguete as sources for art technology, Rocio Bruquetas and Stefanos Kroustallis ; Reworking and reuse: adaptation and use in workshop texts, Mark Clarke ; A short-title bibliography of the Secreti by Alessio Piemontese, Ad Stijnman ; Theophilus: a methodological approach to reading an art technological source, Doris Oltrogge ; A unique 12th-century illuminator's treatise: an original composition incorporated in the Brussels Compendium artis picturae, Mark Clarke ; 'The book on how one makes colours of all shades in order to illuminate books' revisited, Catarina Miguel (et al) ; A glimpse of the Renaissance: colours and geometrical patterns on a southern German game board of the late 16th century, Sabine Formánek ; Identifying 16th-century paints on silver using a contemporary manuscript, Tamar Davidowitz (et al) ; Saffron for purity: raw materials for the production of coloured glazes in 16th-century German recipes, Christoph Krekel and Helena Fuertes ; An unknown art technological source for Austrian Baroque art: the diary of Abbot Hieronymus Übelbacher of Dürnstein for 1710-40, Manfred Koller ; Raised decorations applied to Baroque polychrome sculpture in Coimbra, Portugal: the production of painter-gilders or sculptors?, Agnès Le Gac (et al) ; 'To prepare white excellent…': reconstructions investigating the influence of washing, grinding and decanting of stack-process lead white on pigment composition and particle size, Maartje Stols-Witlox ; De Groote Waereld in 't Kleen Geschildert (The Big World Painted Small): a Dutch 17th-century treatise on oil painting technique, Arie Wallert ; Sources for the study of pigments used by Goya and other 18th-century Spanish painters, Rocio Bruquetas ; Instructions on the making of pastel crayons and their use in pastel painting: a manuscript in the Rijksmuseum, Amsterdam, Idelette van Leeuwen (et al) ; Ernst Berger and the late 19th-century Munich controversy over painting materials, Kathrin Kinseher ; Reconstruction and imaging of copy press samples, Agathi Anthoula Kaminari (et al) ; Exploring an artist's practice: Edvard Munch's paint tubes, Hartmut Kutzke ; Interpreting Van Gogh's plein air painting practice: written sources versus painted image, Devi Ormond (et al) ; Bernsteinlack, Vernis Vibert and Weimarweiß: the letters of Lyonel Feininger (1871-1956) as a key source for his painting technique, Albrecht Pohlmann ; A virtual colour reconstruction project for Romanesque wall painting in Sixena, Spain, Rosa M. Gasol ; The painting process in the Bishop's Chapel in Gurk, Carinthia (Austria), Markus Santner (et al) ; Regraxar or glazing: aspects of this technique in a group of Portuguese paintings attributed to Francisco João (active 1563-95), Helena Pinheiro de Melo (et al) ; In search of van Mander's primuersel: coloured intermediate layers in early 16th-century Netherlandish paintings, Abbie Vandivere ; Ground layers in Portuguese Baroque polychrome wooden sculptures: analytical results versus documentary sources, Carolina Barata (et al).
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