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Item Number: 118917
Title: Patrons and Professionals in the Middle Ages : Proceedings of the 2010 Harlaxton Symposium
Author: Binski, Paul ; Elizabeth A. New (eds)
Price: Not Available
ISBN: 9781907730122
Description: Donington: Shaun Tyas, 2012. 24cm., hardcover, 448pp. text, 116 color plates. Includes: Nicholas Vincent, "Let Us Go Down from this Joyful Commencement to the Plain": Richard Poer and the Refoundation of Salisbury Cathedral ; Susan Powell, Lady Margaret Beaufort as Patron of Scholars and Scholarship ; Sam Barrett, The Sponsorship of Early Medieval Latin Song: The Musical Evidence of Two Carolingian Poetic Collections ; Claudia Bolgia, Mosaics and Gilded Glass in Franciscan Hands: 'Professional' Friars in Thirteenth- and Fourteenth-Century Italy ; Michael T. Davis, Guidelines: the Bishop's Garden, a Mason's Drawings, and the Construction of Notre-Dame Cathedral of Clermont ; Martine Meuwese, The Count and the Codex. Morals and Miniatures in a Middle Dutch Manuscript ; Régine Page, The Patronage of Mahaut d'Artois and Three Fourteenth-Century Altarpieces ; Brigitte Miriam Bedos-Rezak, Image as Patron. Convention and Invention in Fourteenth-Century France ; Julian M. Luxford, "Nichil ornatus in domo domini pretermittens": the Professional Patronage of Walter of Monington, Abbot of Glastonbury ; Jessica Berenbeim, Personal and Institutional Patronage in the Sherborne Missal ; David Lepine, "Begun by Me": the Artistic Patronage of the Late Medieval Higher Clergy ; David Griffith, The Seven Works of Mercy in the Parish Church: the Development of a Vernacular tradition ; Nigel Saul, Patronage and Design in the Construction of English Medieval Tomb Monuments ; T. A. Heslop, The Alabaster Tomb at Ashwellthorpe, Norfolk: its Workmanship, Cost and Location ; David King, Glass-Painting in Late-Medieval Norwich: Continuity and Patronage in the John Wighton Workshop ; Richard Marks, A Will Casts Light: Robert Hunt and the West Window of St Margaret's Church, Westminster ; Lucy Wrapson, East Anglian Rood Screens: the Practicalities of Production. (Harlaxton Medieval Studies, 22)
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