Contents: Jan Van der Stock, Canon in Context- Consumption of Early Netherlandish Images in the Fifteenth and First Half of the Sixteenth Centuries ; Lorne Campbell, Rogier as a Designer of Works of Art in Media other than Oil on Panel ; Lieve Watteeuw and Marina Van Bos, 'Chroniques de Hainaut'- Observations on Rogier ; van der Weyden's Handling of the Illuminator's Brush ; Stephan Kemperdick, Rogier van der Weyden's Workshop around 1440 ; Catherine Reynolds, Self-Portrait and Signature in the Brussels 'Justice Scenes'- ; Rogier van der Weyden's Fame and the Status of Painting ; Marika Spring, The Materials of Rogier van der Weyden and his Contemporaries in Context ; Francis Cambier, À propos du triptyque de l'abbaye Saint-Aubert à Cambrai et du peintre Hayne de Bruxelles. Relecture des sources d'archives ; Griet Steyaert, 'Een hofstad achter 't Cantersteen'- Rogier's Houses in Brussels ; Griet Steyaert, 'The Seven Sacraments'- Some Technical Aspects observed during the Restoration ; Lorne Campbell, 'The Seven Sacraments' ; Marie Postec, Technical Reconstitutions Based on 'The Seven Sacraments' by Rogier van der Weyden- an Experimental Approach ; Cathy Metzger, An Assessment of the Escorial 'Crucifi xion'- Condition, Quality and Maker ; Carmen García-Frías Checa, Some Artistic and Technical Considerations on the 'Portrait of Philip the Good' in the Royal Palace of Madrid after its Restoration ; Veronique Vandekerchove, Livia Depuydt, Pascale Fraiture and Jana Sanyova, The Leuven 'Trinity'- A New Look at a Fifteenth-Century Painting in the M - Museum Leuven ; Helène Dubois, Christina Currie and Veronique Vandekerchove, 'The Edelheere Triptych'-the Earliest Copy of Rogier van der Weyden's 'Descent from the Cross'. History, Examination and Conservation Treatment ; Rachel Billinge, The Technical Examination of two Rogierian Panels from the Collection of the National Trust at Petworth House ; Anne-Sophie Lehman and Marjolijn Bol, Painting Skin and Water- Towards a Material Iconography of Translucent Motifs in Early Netherlandish Painting ; Ana González Mozo, The new IRRs of the 'Descent from the Cross' in the Prado ; Molly Faries, The Master of the Legend of Saint Barbara's 'Job Altarpiece' in Cologne ; Douglas Brine, Rogier van der Weyden and the Art of Commemoration ; Camille De Clercq, Lieselote Hoornaert and Jana Sanyova, 'The Annunciation' by Jean Delemer and Robert Campin- Highlights of the Material Technical Study and Conservation-Restoration Treatment ; Judy de Roy and Jana Sanyova, 'The Entombment of Christ' from Soignies- A Closer Look ; Bart Fransen, Le mausolée d'Henri II de Witthem et Jacqueline de Glymes à Beersel- Un témoignage unique de la sculpture funéraire bruxelloise du XVe siècle ; Myriam Serck, Note sur le 'Christ en croix' brabançon de San Cristobal de La Laguna à Tenerife ; Yao-Fen You, Cathy Selvius De Roo and John C. Steele, Looking anew at the 'Arenberg Lamentation' ; Didier Martens, La 'Lamentation aux fi gures aux paupières baissées', une oeuvre perdue de Rogier van der Weyden ; Hélène Mund, Dans la suite de Rogier van der Weyden- Un maître et son atelier au carrefour de la tradition et de la modernité ; Annick Born and Maximiliaan Martens, Goossen van der Weyden and the Transmission of the Rogeresque Tradition from Brussels to Antwerp ; Joris Van Grieken, 'Rogerij Belgae inventum'- Rogier van der Weyden's Late Reception in Prints(c. 1550-1600). (Underdrawing and Technology in Painting, Symposia, 17)

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