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Item Number: 123260
Title: The Renaissance Workshop : The Materials and Techniques of Renaissance Art
Author: Saunders, David ; Marika Spring ; Andrew Meek (eds)
Price: Not Available
ISBN: 9781904982937
Description: London: Archetype, 2013. 30cm., pbk., 246pp., 146 color illus. Summary: The papers in this volume were presented as papers or posters at a meeting dedicated to the subject of the Renaissance workshop, which was organized as part of the networking activities of the EU FP 7 CHARISMA project. Contents: Painting and illumination in early Renaissance Florence: the techniques of Lorenzo Monaco and his workshop, Paola Ricciardi, Michelle Facini and John K. Delaney ; Workshop practice in Slovenian wall paintings from the fourteenth and fifteenth centuries, Anabelle Križnar ; Replication and variation: Roccatagliata and the female nude, Shelley Sturman ; Technical characteristics of bronze statuettes from the workshops of Antonio and Giovanni Francesco Susini, Dylan Smith ; The workshop practice and the construction techniques of Florentine Renaissance crucifixes, Peter Stiberc ; Altarpieces in Portugal: joinery techniques within the context of fifteenth- and sixteenth-century European workshop practice, Filipa Raposo Cordeiro ; Early Renaissance altarpieces in Transylvania: materials and technological characteristics, Cristina Serendan, David Hradil, Janka Hradilová and Joseph Cannataci ; The altarpiece of Saint Dominic of Silos by Bartolomé Bermejo: an example of painting practices during the early Spanish Renaissance, Dolores Gayo, Maite Jover and Laura Alba ; Smoke and mirrors: the enhancement and simulation of gemstones in Renaissance Europe, Joanna Whalley ; The San Giovanni altar from the Baptistery of Florence: the goldsmith's workshop through the fourteenth and fifteenth centuries, Pamela Bonanni, Andrea Cagnini, (et al) ; Christ carrying the Cross: a surviving sarga by Luis de Morales: technical examination and workshop practices, Rafael Romero and Adelina Illán ; The Botteghe degli Artisti: artistic enterprise at the della Rovere and Medici courts in the late sixteenth century, Erma Hermens ; Some ornament prints and their link with craftsmanship, Antony Griffiths ; Moveable anatomies and print shop practice in sixteenth-century Strasbourg, Theresa Smith ; Visual evidence for the use of carta lucida in the Italian Renaissance workshop, Maria Clelia Galassi ; Evidence for workshop practices at the Tudor mint in the Tower of London, Justine Bayley and Harriet White ; Sixteenth-century life-casting techniques: experimental reconstructions based on a preserved manuscript, Tonny Beentjes and Pamela H. Smith ; Bernard Palissy: scientist and potter of the Renaissance in France, Anne Bouquillon, Françoise Barbe, Patrice Lehuédé (et al) ; Stylus drawing in the Renaissance workshop: investigating leadpoint and blind stylus in a Leonardo drawing, Jenny Bescoby, Judith Rayner and Joanna Russell ; Technical analysis of a Renaissance limestone altarpiece, Ana Bidarra, Pedro Antunes, (et al) ; Analyses of Renaissance Venetian enamelled glasses from the Musée du Louvre, Isabelle Biron, Marco Verità, (et al) ; Conservation and preliminary study of the alabaster sculptures in the mausoleum of Jean V de Hénnin-Liétard at Boussu, Belgium, Judy De Roy ; Nero di Bicci and the diffusion of cartoons between fifteenth-century Florentine workshops, Jennifer Diorio ; Research on metallic material in liturgical textiles of the fifteenth and sixteenth centuries: studies of production technology, Livio Ferrazza, David Juanes ; Striptease and dressing-up in Titian's workshop: a technical comparison of the Young Girls in the Galleria Palatina, the Hermitage and the Kunsthistorisches Museum, Helen Glanville, Patrizia Riitano and Claudio Seccaroni ; A treasured Renaissance manuscript, Les Vies des femmes celebres: laboratory investigations of the miniaturist Jean Pichore's practices and techniques, Hélène Guicharnaud and Alain Duval ; Grisaille materials and techniques in European Renaissance painted enamel objects: Limoges white, binding media, chiaroscuro and the interrelationship between crafts, Nuria López-Ribalta ; Reassertion of a Renaissance jewel: the investigation and interpretation of two enamelled panels from the Wallace Collection, Andrew Meek, Jamie Hood and Jeremy Warren ; Describing the elusive: a project for new perspectives on the practices and the resources of illuminators in the north of Europe from the fourteenth to the sixteenth century, Sylvie Neven ; Distinctive materials in a late-sixteenth-century portrait , Libby Sheldon and Gabriella Macaro ; Fra Bartolommeo and frescoes on tiles in fifteenth to sixteenth-century Florence, Deodato Tapete, Cristina Giannini and Fabio Fratini ; Sixteenth-century Netherlandish workshop practices: technical investigation of the Copenhagen version of Christ Driving the Traders from the Temple, Hannah Tempest.
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