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Item Number: 124536
Title: Conservation in the Nineteenth Century
Author: Brajer, Isabelle (ed)
Price: Not Available
ISBN: 9781904982913
Description: London: Archetype, 2013. 30cm., hardcover, 232pp. illus., most in color. Contents: Interpreting historical conservation terminology: 'cleaning' paintings in Dutch eighteenth- and nineteenth-century sources, Mireille te Marvelde ; Art, science and painting restoration in Napoleonic Italy, 1796-98, Cathleen Hoeniger ; Raphael's Marriage of the Virgin in Milan and the restoration by Giuseppe Molteni (1858) , Giorgio Bonsanti ; A higher reality, born of the mind: notes for a philosophy of transfer, Matthew Hayes ; Richard Redgrave (1804-1888): first curator of paintings at the South Kensington Museum, Nicola Costaras ; Charles Chapuis: Degas' 'picture doctor' and painting restoration at the end of the nineteenth century, Ann Hoenigswald ; Il Manuale by Giovanni Secco Suardo: its impact on the development of conservation and restoration in the nineteenth century, Bettina Achsel ; The conservation of polychromy on mediaval sculptures in Belgium in the nineteenth century and its perception by the Royal Monuments Commission of the time, Delphine Steyaert ; The search for an enduring painting technique: Franz Fernbach and his encaustic technique as a restoration procedure for wall-paintings in the early nineteenth century, Barbara Beckett ; Jacob Kornerup and the conservation of wall-paintings in nineteenth-century Denmark, Susanne Ørum and Isabelle Brajer ; Documentation of medieval wall-paintings in Denmark and Germany in the nineteenth century and its impact on conservation and contemporaneous art, Isabelle Brajer (et al) ; Bonnardot's Essai: a nineteenth-century restoration manual and its author, Christopher Sokolowski ; The test of time: nineteenth-century innovations in paper fibre analysis, Debora D. Mayer ; Restoration of flat textiles: ideological framework, ideas and treatment methods in Sweden before 1900, Maria Brunskog and Johanna Nilsson ; Documentary and material evidence of nineteenth-century interventions on musical instruments of the collection of the Musée de la musique in Paris, Jean-Philippe Echard (et al) ; The restoration and conservation of the bronze Apollo Saettante from Pompeii, Erik Risser and David Saunders ; Precision and mastery: identifying the work of Raffaele Gargiulo on four Apulian vases, Marie Svoboda ; Preservation of prehistoric objects in Denmark, 1807-32, Helge Brinch Madsen and Jan Holme Andersen.
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