Contents: Christopher J. Nygren, Stylizing Eros: Narrative Ambiguity and the Discourse of the Desire in Titian's so-called Salome ; Marianne Koos, Dosso's Ambiguity ; Elisa de Halleux, Androgyny and the Ambiguity of Love and Desire in a Depiction of Eros: New Suggestions Concerning Parmigianino's Cupid Carving his Bow ; Adrian W. B. Randolph, Michelangelo's David Uncut ; Giancarlo Fiorenza, Apollo Dismembered: Love, Initiation, and Idolatry in an Engraving by Marcantonio Raimondi ; Alessandro Nova, Correggio's 'Lascivie' ; Jeanette Kohl, Sublime Love: The Bust of a Platonic Youth ; Hans Aurenhammer, Liberalitas: The Image of a Friendly Virtue as a Hidden Self-Portrait in Leon Battista Alberti's Della pittura ; Jill Pederson, Giovanni Antonio Boltraffio's Portrait of Girolamo Casio and the Poetics of Male Beauty in Renaissance Milan ; Ulrich Pfisterer, Mirrors of Love and Creativity around 2611 ; Stephen J. Campbell, 'Una certa amorevole sommessione'- Bronzino's Attachments. (Italienische Forschungen des Kunsthistorischen Institutes in Florenz Max-Planck-Institut, I Mandorli, 19)

We regret to inform you that this title is no longer available.
Please contact us if you need additional assistance.