Item Number: 125968 Title: Vision, Devotion, and Self-Representation in Late Medieval Art Author: Sand, Alexa Price: Not Available ISBN: 9781107032224 Description: Cambridge: Cambridge University Press, 2014. 25cm., hardcover, 408pp., 7 color, 95 b&w illus. Summary: This book investigates the "owner portrait" in the context of late-medieval devotional books primarily from France and England. These mirror-like pictures of praying book owners respond to and help develop a growing concern with visibility and self-scrutiny that characterized the religious life of the laity after the Fourth Lateran Council in 1215. The image of the praying book owner translated preexisting representational strategies concerned with the authority and spiritual efficacy of pictures and books, such as the Holy Face and the donor image, into a more intimate and reflexive mode of address in Psalters and Books of Hours created for lay users. Alexa Sand demonstrates how this transformation had profound implications for devotional practices and for the performance of gender and class identity in the striving, aristocratic world of late medieval France and England. Summary: 1. Saving face: the Veronica and the Visio Dei. 2. From Memoria to Visio: revising the donor. 3. Framing vision: the image of the book owner and the reflexive mode of seeing. 4. Domesticating devotion: body, space, and self. 5. Power and the portrait: negotiating gender. We regret to inform you that this title is no longer available. P.O. Box 3904, Kingston, New York 12402 US Phone: 845-331-8519 Fax: 845-331-0852 Email: michael@artbooks.com |
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