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Item Number: 126022
Title: Bergson and the Art of Immanence : Painting, Photography, Film
Author: Mullarkey, John ; Charlotte de Mille
Price: Not Available
ISBN: 9780748670222
Description: Edinburgh: Edinburgh University Press, 2013. 24cm., hardcover, 188pp. illus. Contents: Introduction; Art's Philosophy: Bergson and Immanence, Charlotte de Mille and John Mullarkey; I: Bergson, Art, History; 1. Bergson, History and Ontology, Craig Lundy; 2. Art History, Immanently, Charlotte De Mille; 3. Art-history with Less Conditions of Possibility: Following Bergson’s 'Le Possible et le réel', Adi Efal; 4. Matisse, Bergson, Oiticica, etc., Eric Alliez; 5. Bergson Before Deleuze: How to Read informel Painting, Sarah Wilson; 6. Creative Revolution: Bergson, Max Stirner and Art for Insurrection’s Sake, Mark Antliff; II: Unconditional Practice; 7. The Matter of the Image: Notes on Practice-Philosophy, Felicity Colman; 8. Pasearse: Duration and the Act of Photographing, Stella Baraklianou; 9. Duration and Rhetorical Movement, James Day; 10. A Diagram of the Finite-Infinite Relation: Towards a Bergsonian Production of Subjectivity, Simon O’Sullivan; III: Immanence of the Visible; 11. Painting the Invisible: Time, Matter and the Image in Bergson and Michel Henry, Brendan Prendeville; 12. 'For We Will Have Shown it Nothing': Bergson as Non-Philosopher (of) Art, John Mullarkey; 13. The Untimeliness of Bergson’s Metaphysics: Reading Diffractively, Iris van der Tuin; 14. Hyperaesthesia and the Virtual, Howard Caygill; Afterword; An Art Historical Return to Bergson, Jae Emerling; Index.
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