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Item Number: 127215
Title: Imago Exegetica : Visual Images as Exegetical Instruments, 1400-1700
Author: Clifton, James ; Walter S. Melion ; Michel Weemans (eds)
Price: Not Available
ISBN: 9789004262003
Description: Leiden: Brill, 2014. 24cm., hardcover, 1008pp. illus. Contents: J. Smith, Jan van Eyck's Typology of Spiritual Knighthood in the Van der Paele Madonna ; G. Careri, Typology at its Limits: Visual Exegesis and Eschatology in the Sistine Chapel ; W. Francois, Typology-Back with a Vengeance! Texts, Images, and Marginal Glosses in Vorsterman's 1534 Dutch Bible ; C. Nativel, L'Épitaphe de Jan Michielsen et Maria Maes de Rubens. Rhétorique et Exégèse Visuelle ; C. Van Eck, A New Interpretation of Vermeer's Allegory of Faith: Vividness and Figural Interpretation ; B. Rothstein, Empathy as a Type of Early Netherlandish Visual Wit ; W. Melion, Meditative Exegesis and the Trope of Conversion in Dirk Vellert's Calling of Peter and Andrew of 1523 ; M. Weeman, The Preaching of John the Baptist: Herri met de Bles's Visual Exegesis and Expanded Typology ; T. Richardson, Early Modern Hands: Gesture in the Work of Jan van Hemessen ; T. Senkevitch, Becoming Elijah: The Sleep of Elijah by Philippe de Champaigne from the Convent of the Val-de-Grâce ; I. Falque, 'See the Bridegroom Cometh; Go Out and Meet Him': On Spiritual Progress and Mystical Union in Early Netherlandish Painting ; E. Rise, Rogier van der Weyden and Jan van Ruusbroec: Reading, Rending, and Re-Fashioning the 'Twice-Dyed' Veil of Blood in the Escorial Crucifixion ; L. van Hogendorp Prosperetti, Helenus and Dorotheos: Marten de Vos and the Desert Fathers ; J. Chorpenning, Lectio Divina and Francis de Sales's Picturing of the Interconnection of Divine and Human Hearts ; M. Deiters, Illumination of Images and Illumination through the Image-Functions and Concepts of Gospel Illustrations in the Bible of the Nuremberg Patrician Martin Pfinzing ; M. Groentjes, Clades Judaeae Gentis: Patterns of Destruction ; J. Clifton, Modes of Scriptural Illustration: The Beatitudes in the Late Sixteenth Century ; S. Perlove, 'The Glory of the Last House' (Haggai 2: 9): Rembrandt and the Prophets Malachi and Haggai ; B. Münch, Saints amidst the Inferno: Humanism in Wittenberg's Pre-Reformatory Art: A New Exegesis of Dürer's Martyrdom of the Ten Thousand ; W. Neuber, Visual Exegesis and Social History: Hieronymus Beck von Leopoldsdorf (1525-1596) and His Strategies of Self-Aggrandisement ; D. Eichberger, Gideon, an Old Testament Hero in Action: Burgundian Symbolism and the Visual Language of Protestant Flanders ; A. Difuria, Maerten van Heemskerck's Heliodorus Driven from the Temple: Translatio and the Interrogative Print ; J. Müller, Of Churches, Heretics, and Other Guides of the Blind: The Fall of the Blind Leading the Blind by Pieter Bruegel the Elder and the Esthetics of Subversion ; L. Silver, Bruegel's Biblical Kings ; N. De Breze, From Putti to Angels: The Celestial Creatures in Otto Vaenius' Paintings and Emblems ; A. Guiderdoni, Exegetical Immersion: The Festivities on the Occasion of Francis de Sales's Canonization (1665-1667) ; T. van 't Hof, Old Emblems, New Meaning: A Critical Visual Account of the Reformation in De Hooghe's Hieroglyphica ; A. Linke, Vasari and The Transfiguration of Christ: Converging the Testaments and Competing with Predecessors ; B. Haeger, Rubens's Christ Triumphant over Sin and Death: Unveiling the Glory of God. (Intersections: Interdisciplinary Studies in Early Modern Culture, 33)
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