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Item Number: 128334
Title: Authenticity and Replication: The 'Real Thing' in Art and Conservation : Proceedings of the International Conference held at the University of Glasgow, 6-7 December 2012
Author: Gordon, Rebecca ; Erma Hermens ; Frances Lennard
Price: Not Available
ISBN: 9781904982999
Description: London: Archetype, 2014. 25cm., pbk., 214pp., 84 color, 37 b&w illus. Contents: Bringing the past to life? Exploring the role of authenticity in developing young people's historical understanding, Ceri Jones ; Conservation of Japanese paintings on paper and silk: tradition and innovation, Keisuke Sugiyama ; Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Sassine in Lebanon, Kerstin Khalife, Cristoph Krekel and Aline El Maalouf ; Twenty-first century approaches to reframing Italian Renaissance panels at the National Gallery , Harriet O'Neill ; Differing interpretations of the authenticity of an Ushak carpet from The Metropolitan Museum of Art, Giulia Chiostrini ; 'And I know damned-well what he wanted!': deliberate alteration and interpretations of intent in several late sculptures by David Smith, Richard Mulholland ; The Triumph of the Virgin: unravelling authenticities in a Glasgow Museums' tapestry, Sarah Foskett ; Identifying and pursuing authenticity in contemporary art, Rebecca Gordon ; 'Real Life' questions of authenticity, Ross Sinclair ; Definitions of authenticity: a study of the relationship between the reproduction and original Gone With The Wind costumes at the Harry Ransom Center, Jill Morena ; Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture , Sophie Plender and Polly Saltmarsh ; Rediscovering the Unicorn tapestries , Caron Penney ; Stitching the twenty-first century into a Gilded Age Mansion , Alexandra Allardt ; Dressing up for the Preston Guild: a 'very admirable and correct costume!' , Uthra Rajgopal ; Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia, Luba Dovgan Nurse, Dinah Eastop and Mary M. Brooks ; Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century , Katrine Scharffenberg and Anne Milnes ; How to keep what was intended to be temporarily functional? Reflections on decision-making for the conservation of polyurethane ready-to-wear fashion, Susana França de Sá, Joana Lia Ferreira, Ana Maria Ramos, Bárbara Coutinho and Rita Macedo ; Cultural heritage online: questions of authenticity, authority and authorship, Anna Bülow and Dinah Eastop.
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