Contents: IV. Baroque: The Baroque Decorations in San Silvestro in Capite, Rome ; Review of John Pope-Hennessy, Italian High Renaissance and Baroque Sculpture ; [with the collaboration of Marilyn Aronberg Lavin] Duquesnoy's Nano di Créqui and Two Busts by Francesco Mochi ; [with the collaboration of Marilyn Aronberg Lavin] Pietro da Cortona Documents from the Barberini Archive ; Fischer von Erlach, Tiepolo, and the Unity of the Visual Arts ; [With Marilyn Aronberg Lavin] Rembrandt's Jewish Bride: Sister and Spouse ; Georges de La Tour. The Tears of St. Peter and the 'Occult' Light of Penitence ; V. Modern: Abstraction in Modern Painting. A Comparison ; A Fragment, in Paul Suttman. The Master-Pieces. 1981-1991, New York, 1991, 3; Picasso's Lithograph(s): "The Bull(s)" and the History of Art in Reverse ; The Body Artist; Storm King: The Genius of the Place ; Théodore Aubanel's Les Filles d'Avignon and Picasso's Sum of Destructions ; Going for Baroque: Observations on the Post-Modern Fold; VI. Theater: On the Unity of the Arts and the Early Baroque Opera House ; The Campidoglio and Sixteenth-Century Stage Design ; Review of Alois Maria Nagler, Theatre Festivals of the Medici 1539-1637; VII. Art History: When Vatican Art Goes on the Road ; Words in Memory of Horst Woldemar Janson ; The Art of Art History ; Obituary. Howard Hibbard 1928-84 ; Iconography Group discussion published in The Relationship between Art and Architecture ; Iconography as a Humanistic Discipline (Iconography at the Crossroads) ; Panofsky's History of Art ; The Crisis of Art; Remarks in Celebration of the Centenary of the Kunsthistorisches Institut in Florenz ; Intoduction to Erwin Panofsky. Three Essays on Style ; Panofsky, Gombrich, Bredekamp : D.D.D. ; Index. (^Forthcoming^)

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