Contents: K. Lichtert et al, Images, Maps, Texts. Reading the Meanings of the Later Medieval and Early Modern City ; B. Vannieuwenhuyze / E. Vernackt, The Digital Thematic Deconstruction of Historic Town Views and Maps ; P. Maclot, A Portrait Unmasked: The Iconology of the Birds'-Eye View of Antwerp by Virgilius Bononiensis (1565) as a Source for Typological Research of Private Buildings in Fifteenth- and Sixteenth-Century Antwerp ; E. Chodejovska / J. Kreici, Eighteenth-Century Prague. Joseph Daniel Huber's 'images' of the Capital City of Bohemia ; J. de Rock, The Image of the City Quantified: The Serial Analysis of Pictorial Representations of Urbanity in Early Netherlandish Art (1420-1520) ; K. Lichtert, The Artist, the City and the Urban Theatre: Pieter Bruegel's 'Battle between Shrovetide and Lent' (1559) Reconsidered ; O, Kik, Bramante in the North: Imag(in)ing Antiquity in the Low Countries (1500-1539) ; C. Paredes, Pavie, Bruxelles, Barcelone et Tunis. Quelques portraits de villes dans les tapisseries de Charles Quint ; M. Clelia Galassi, Topography and Mythological Transfiguration in Two Sixteenth-Century Flemish Cityscapes of Genoa: a Painting by Jan Massys and an Etching by Anton van den Wyngaerde ; S. Beltramo, Describing and 'Mapping the Town' Using Iconographic and Literary Sources. Cities in the Late Middle Ages in Italy ; N. Ben-Aryeh Debby, A Venetian City View of Constantinople: Mapping the City ; S. Van Ooteghem, There we will see many views that will inspire us to create landscapes'. The Use of Sixteenth-Century Netherlandish Artists' Roman Vedute as Historical Sources ; M. Williams, Lux Patentissima and World Piazza: Early Modern Diplomatic Portraits of Rome. (SEUH: Studies in European Urban History, 31)

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