Contents: P. Klein, The Role of Prototypes and Models in the Transmission of Medieval Picture Cycles: The Case of the Beatus Manuscripts ; L. Aliferis, The Models of the Illuminators in the Early Gothic Period ; G. Siebert, Glass Painters and Manuscript Illuminators ; C. Johnston, A Model Community? An Investigation into the Use of Models in the Work of William de Brailes ; M. Bloem, Changing Workshop Policies: Passion Cycles by the Masters of Zweder van Culemborg ; C. Seidel, Tradition and Innovation in the Work of Jean Colombe: The Usage of Models in Late 15th Century French Manuscript illumination ; J. Heyder, Corporate Design Made in Ghent/Bruges? On the Extensive Reuse of Patterns in Late Medieval Flemish Illuminated Manuscripts.

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