Contents: C. Kravagna, When Routes Entered Culture - Histories and Politics of Transcultural Thinking ; M. Juneja, Tracking the Routes of Vision in Early Modern Eurasia ; E. Wang, Why Was There No Chinese Painting of Marco Polo? ; E. Kindall, Geo-Narrative in Seventeenth-Century China ; S. Kranen, Historicity and the Route. Remarks on the Relations between Art and Anthropology in the Illustrations of the Travel Account of James Cook’s Third Expedition ; J. Orell, Itinerary and Painting Lineage - Ten Thousand Miles along the Yangzi River in Seventeenth-Century China ; J. Noth, Seen from a Boat - Travel and Cultural History in Huang Binhong’s Landscape Paintings ; J. Rees, Harbouring Expectations - The Littoral as Contact Zone in the Visual Arts of Japan and the Netherlands around 1600 ; E. Reitz, Transcultural Ballast. Netherlandish Tiles as Vehicles of Exchange ; U. Boskamp, Suspected Prospects. Art, Topography, and Identity in the Portsmouth Area around 1800. (Berliner Schriften zur Kunst)

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