Contents :P. Rosenberg, Drawings of Seventeenth-Century Italian Sculptors from the Collection of Pierre-Jean Mariette ; S. Androsov, New Findings on the Farsetti Collection ; A. Darr, From Algardi to Zoffoli - The Collection of Baroque Sculpture and Doccia Porcelain Sculpture at the Detroit Institute of Arts ; C. Kryza-Gersch, Giambologna's Astronomy - or rather Astrology - in Vienna Reconsidered ; C. Avery, From Cathedral Bell to Equestrian Monument to Revolutionary Cannon - Serpotta's Brass Statue and Two Statuettes of King Carlos II of Spain and the Two Sicilies 1679-84 ; D. Ekserdjian, Sculptors as Borrowers - Gianfrancesco Susini, Massimilano Soldani Benzi, and Others ; C. Miner, Not by Bernini - A Re-Examination of the National Gallery's Bronze Bust of Louis XIV ; P. Wengraf, The Louvre's Hercules and Deianira with Nessus, a Later Adaptation After Adriaen de Vries's Theseus and Antiope in the Royal collection, Windsor ; K. Sciberras, Algardi's Cristo di Colosso - A Cardinal Nephew, an Inquisitor, a General and the English language ; P. Dreyer, A Relief of a Pieta by Alessandro Algardi and an Answer to an Unasked Question ; D. Sanguineti, Alessandro Algardi's Franzone Crucifix ; J. Warren, Algardi in Berne? ; L. Rice, The Pre-Mochi Projects for the Veronica Pier in Saint Peter's ; F. Scholten, The Tragic Death of Adriaen Vrijburch and his Memorial by Francois du Quesnoy ; A. Kader, Hercules, Emperors and Hermits - A New Look at the Chigi Garden Sculpture at Cetinale ; L. Nolan, "The Simulacrum of St. Bibiana - Expression and Design in Early Seventeenth Centur Rome" ; G. Perini Folesani, Sir Joshua Reynolds and Italian Baroque Sculpture ; T.M. Vale, Italian Baroque Sculptors and Silver - "Ide", Drawings and Models ; G. Barucca, A Small Bronze After a Model by Lazzaro Morelil and Some Eighteenth Century Roman Silver in the Church of Santa Maria di Piazza, Ostra Vetere ; S. Guido - G. Mantella, Antonio Arrighi's Fifteen Silver Sculptures for the Knights of Malta - New Remarks on Their Patronage ; A. Desmas, The Misadventure of Two Sculptors Active in Rome in the Early 1700s - Newly Attributed Busts for Andrea Fucigna and Giuseppe Ferretti ; A. Brook, Cosimo Cappelli in Modena - Ornamental Works for the Cappella Torri in the Madonna del Voto, Modena ; P. D'Agostino, "Uno stile nuovo" - Some Little-Known Models by Lorenzo and Domenico Antonio Vaccaro ; M. Bruno, "Intrecciando arabeschi, e fogliami" - Filippo Parodi as intagliatore in Wood - New Attributions and Considerations ; C. Milano, Notes on Claude David, a Sculptor Travelling Across Baroque Europe ; L. Simonato, The Sought-After Portrait - Marble and Steel in the Service of Francesco I d'Este ; J. Marsden, Roman Baroque in Georgian London - A Source for George III's State Coach ; M. Trusted, The Four Seasons in Ivory - A Baroque Group Re-United ; S. Ostrow, The Ludovisi St. Peter - A New Work by Bastiano Torrigiani in the Mineapolis Institute of Arts ; T. Montanari, Two Isabellas for Paolo Giordano Orsini - Another Portrait Bust by "The Master of the Duke and Duchess of Bracciano" ; M. Weil, A Terracotta Bust of a Woman or an Angel by Gian Lorenzo Bernini or Antonio Giorgetti ; A. Luchs, The Sculptor's Lady - A French Eighteenth-Century Response to Bernini's Costanza? ; I. Wardropper, Gian Lorenzo Bernini's Serial Drawings for Sculpture ; M. Levkoff, Remarks on Glass Eyes in Polychromed European Sculptures of the Seventeenth and Eighteenth Centuries ; A. Bacchi, Portraits of Pope Benedict XIV - New Attributions to Peter Anton von Verschaffelt and Antonio Corradini ; P. Malgouyres, La comedie des erreurs - Seneque travesty - Guido Reni, Sculptor and the Antique, or Expression Versus Archaeology ; F. Martin, Price and Provenance - Observations on Three (More or Less) Classical Busts from the Chigi and Vendramin Collections in Dresden ; G. Scherf, The Rediscovered Marble Busts of the Four Elements by Lambert-Sigisbert Adam.

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