Contents: Introduction: Alternative venues, Andrew Graciano; Nathaniel Hone’s 1775 exhibition: the first single-artist retrospective, Konstantinos Stefanis; Branding Shakespeare: Boydell's Shakespeare gallery and the politics of display, Heather McPherson; Fantasy and rivalry: Jean-Baptiste Regnault’s solo exhibition, Paris 1800, Katie Hanson; ‘Plasmati dalle sue mani’: Canova’s touch and the Gipsoteca of Possagno, Christina Ferando; Rereading ‘Court’ in the touring exhibition of Rembrandt Peale’s Court of Death (1820), Tanya Pohrt; Art history as spectacle: blockbuster exhibitions in 1850s England, Amy Von Lintel; Merging form and formlessness: the 1892 monotype exhibition by Edgar Degas, Christine Hahn; The radical work of Oskar Kokoschka and the alternative venues of Die Kunstschauen of 1908-1909, Vienna, Austria, Rosa Berland; Bringing the boudoir into the gallery: Florine Stettheimer’s ‘failed’ solo exhibition, Karen Stock; Exhibiting the museum-function: Marcel Broodthaers and the Musée d’Art Moderne, département des Aigles, Julian Jason Haladyn; Georges Adéagbo: between artwork and exhibition, Kathryn M. Floyd; Epilogue: control issues: creation, display and meaning, Andrew Graciano.

We regret to inform you that this title is no longer available.
Please contact us if you need additional assistance.