Contents: 1. Dioscorides as an art technological source - Mark Clarke. 2. Academy and workshop: medieval transmission of late antique knowledge - Mark Clarke and Arie Wallert. 3. An elusive colorant: availability, preparation and use of anthocyanin colorants in European medieval illuminators' workshops - Sylvie Neven and Jana Sanyova. 4. Paint it red: vermilion manufacture in the Middle Ages - Stefanos Kroustallis and Rocio Bruquetas. 5. Medieval sculptures re-polychromed and re-gilded in the nineteenth century by Adrien Hubert Bressers - Delphine Steyaert. 6. 'This they use in Madrid': the ground layer in paintings on canvas in 17th-century Madrid - Maite Jover de Celis and Dolores Gayo. 7. Van Dyck and de Mayerne: a cautionary note regarding the manuscript - Rica Jones. 8. Materials for painting and gilding used in the Benedictine community of Portugal 1638-1822: other times, other ways - Agnès Le Gac, Paulo Oliveira, Isabel Dias Costa and Maria João Dias Costa. 9. Evolutions and transformations of harpsichords in France in the 17th and 18th centuries - Christine Laloue and Jean-Philippe Echard. 10. Manufacturing techniques and the art of wax modelling: from the sculptor's studio to the anatomical workshop - Alicia Sánchez Ortiz and Sandra Micó Boró. 11. Combining different types of sources for a better understanding of tempera painting around 1900 - Patrick Dietemann and Wibke Neugebauer. 12. Interpretation of documentary sources for the industrial preparation of 'zinc white' in the 19th century - Nicholas Eastaugh, Jilleen Nadolny and Weronika Swiech. 13. Hans Heysen's art materials: an investigation into suppliers, knowledge and choice - Rosemary Diana Heysen and Nicole Andrea Tse. 14. Jean Tinguely's script for Homage to New York (1960) - Reinhard Bek and Christine Frohnert. 15. Recent publications on Art Technological Source Research - Ad Stijnman. 16. 'Colour ConText'. a database on colour practice and colour knowledge in pre-modern Europe - Sylvie Neven, Karin Leonhard and Sven Dupré. 17. Four paintings from St. Jerome's College, Coimbra, Portugal: conservation, technique and treatises - Vanessa Antunes (et al). 18. Glass and parchment with a view: oil paint and the imitation of (stained) glass windows 1400-1600 - Marjolijn Bol, Henk de Groot and Arie Wallert. 19. Oil-Pinaceae resin varnish recipes in 15th-18th-century written sources - Jean-Philippe Echard and Valérie Malecki. 20. 'A substance that serves all paints': interpreting a technical recipe from Sloane 345 - Indra Kneepkens, Ronald de Jongh and Arie Wallert. 21. The Town: a sparkling 17th-century canvas painting - Anne Apalnes Ørnhøi. 22. Transformed altarpieces in the age of Baroque in northern Italy - Orso-Maria Piavento. 23. Craftsmen and gentlemen - Hermann den Otter. 24. Technical examination of Daubigny's Cliffs at Villerville-sur-mer, or new light on the history of Impressionism - René Boitelle and Alan Phenix. 25. The working process of Francis Bacon: evidence from his studio, artworks and slashed canvases - Elke Cwiertnia (et al). 26. Slow Actions: transformative approach to documenting moving image installations - Stephanie Sarah Lauke. 27. Dynamic art technological sources for contemporary work: the artist interview and the installation itself - Sanneke Stigter.

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