Contents: "Icarus Spreading His Wings" - The Early Modern City Brought to Life ; Toward a New City Image - Leon Battista Alberti's Descriptio urbis Romae (ca. 1450) and Francesco Rosselli's Lost View of Rome (ca. 1485-90) ; Late Medieval Origins ; Alberti's Survey of Rome ; Rosselli's Rome in Twelve Sheets ; Putting Rome into Drawing - The Lessons of Architecture and Antiquity in the Early 1500s ; Raphael's Call to Preserve, Measure, and Draw the Ruins ; Raphael's Larger Goals and Audience ; Drawn from the Grave - Illustrated Works on Ancient Rome after Raphael ; Pictorialism Revisited ; Syntheses - Leonardo Bufalini's Plan of Rome (1551) ; Origins, Form, and Function of Bufalini's Plan ; Bufalini's Background and Intended Audience ; Bufalini and the Art of Surveying ; Ancient and Modern in Bufalini's Map ; The Early Reception and Influence of Bufalini's Map ; The Modern Reception of Bufalini's Map ; Antitheses - Ancient and Modern Rome in Sixteenth-Century Imagery ; Bartolomeo Marliani, Pirro Ligorio, and the "Memory of Ancient Things" ; Stefano Du Pérac, the Ancient Forma urbis, and the City Renewed ; Mario Cartaro and the Paragone of Ancient and Modern ; Roman Print Culture, Dissemination, and the Market ; "Before the Eyes of the Whole World" - The City Writ Large, 1593-1676 ; Antonio Tempesta's Prospectus and Its Progeny - Painterly Approaches to the Reenergized City ; Matteo Greuter, Giovanni Battista Falda, and Architectural Approaches to Seventeenth-Century Rome ; The Eternal City Measured and Imagined.

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