Contents: Part I: Allegorical Dream-Visions and Debate Poems - Friars in Love: Manuscript Illumination as Literary Commentary in Three Fourteenth-Century Manuscripts of the Roman de la rose (Paris, BnF, MS fr. 25526; Baltimore, Walters, MS W. 143; London, BL, MS Royal 19 B XIII), Jonathan Morton, ‘Entre deux sommes’: Imagining Desire in the Songe de la Pucelle, Emma Cayley, Limits of Representation in Late Fifteenth-Century Burgundy: What the Eye Doesn’t Hear and the Ear Doesn’t See, Helen J. Swift. Part II: Burgundian Prose Narratives: - Staging Transgression Through Text and Image: Violence and Nudity in the Cent Nouvelles Nouvelles (Glasgow, University Library, MS Hunter 252, and Vérard 1486 and 1498), Dominique Lagorgette, The Roman de Buscalus; or, the Art of Not Being French, Rebecca Dixon, Personal Drama or Chivalric Spectacle? The Reception of the Roman d’Olivier de Castille in the Illuminations of the Wavrin Master and Loyset Liédet, Rosalind Brown-Grant. Part III Reworkings of Classical and Medieval Auctores - The Hybrid Art of the Compiler: Text/Image Relations in the Ovide moralisé of Colard Mansion, J. Chimène Bateman, Proliferating Narratives: Texts, Images, and (Mostly Female) Dedicatees in a Few Héroïdes Productions, Kathleen Wilson-Chevalier, Re-Presenting Emilia in the Context of the Querelle des femmes: Text and Image in Anne de Graville’s Beau Roman, Elizabeth L’Estrange.

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