Contents: M. Shoaf, The Voice in Relief - Sculpture and Surplus Vocality at the Rise of Naturalism ; S. Bonde/C. Maines, Performing Silence and Regulating Sound - The Monastic Soundscape of Saint-Jean-des-Vignes ; E. Valdez del Alamo, Hearing the Image at Santo Domingo de Silos ; T. Nickson, The Sound of Conversion in Medieval Iberia ; N. Ergin, 'Praiseworthy in the great multitude was the silence' - Sound/Silence in the Topkapi Palace, Istanbul ; S. Gerstel, Monastic Soundspaces in Late Byzantium - The Art and Act of Chanting ; N. Sevcenko, Written Voices - The Spoken Word in Middle Byzantine Monumental Painting ; H. Schilb, Singing, Crying, Shouting and Saying - Embroidered Aeres and Epitahioi and the Sounds of the Byzantine Liturgy ; S. Shalev-Eyni, The Aural-Visual Experience in the Ashkenazi Ritual Domain of the Middle Ages ; A. Tallon, The Play of Daniel in the Cathedral of Beauvais ; S. Biay, Building a Church with Music - The Plainchant Capitals at Cluny, c. 1100 ; J. Oliver, Sounds and Visions of Heaven - The Fusion of Music and Art in the Gradual of Gisela von Kerssenbroeck ; M. Fasshler/J. Hamburger, The Desert in Paradise - A Newly Discovered Office for John the Baptist from Paradies bei Soest and its Place in the Dominican Liturgy ; S. Offenberg, Staging the Blindfolded Bride - Between Medieval Drama and Piyyut Illumination in the Levy Mahzor ; M. Curschmann, Integrating Anselm - Pictures and the Liturgy in a Twwelfth-Century Manuscript of the 'Orationes sive Meditationes' ; S. Wijsman, Silent Sounds - Musical Iconography in a Fifteenth-Century Jewish Prayer Book. (Studies in the Visual Cultures of the Middle Ages, 9)

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