Contents: C. Burroughs, Indicating Heaven: Botticelli's Coronation of the Virgin and Mediated Imagery ; R. Stapleford, Botticelli and the Golden Section in the Lehman Annunciation ; J. Polzer, Michelangelo's Sistine Last Judgment and Buffalmacco's Murals in the Campo Santo of Pisa ; P. Carabell, Figura Serpentinata: Becoming over Being in Michelangelo's Unfinished Works ; W. Wallace, Michelangelo, Luigi del Riccio, and the Tomb of Cecchino Bracci ; M. Dunkelman, What Michelangelo Learned in Bologna ; A. Timmermann, Locus calvariae: Walking and Hanging with Christ and the Good Thief, c. 1350 - c. 1700 ; C. Steinhardt-Hirsch, Tra iconologia e teologia cassinese. La luce divina nella Notte del Correggio ; E. Johnson, The Theater at Lyon of 1548: A Reconstruction and Attribution ; M. Aronberg Lavin, Signed, Sealed, and Delivered: Federico Barocci's Indulgenced Print of the Perdono ; D. Bril, A la croisée des genres. Louis XIV et le portrait équestre ; S. Lippert, Salomé to Medusa by Way of Narcissus: Moreau and Typological Conflation ; N. Cieslinska-Lobkowicz, Das Spannungsfeld von Nationalgedächtnis und Politik: Restitution in Europa ; E. Rivenbark, Corporeal Furnishings in the Sixties: Furniture as Art and Its Intimacy with the Body ; P. Yaochang, The Posters of the Mao Era: A Perspective of Art and Society ; Z. Zygulski, Jr., The Prophetic Shield of John III Sobieski and the Edict of Milan.

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