Contents: Verifying the Resurrection: St. Mary Magdalene and St. Thomas at the intersection of word and image, c. 400-1300; Mary Magdalene as a model of piety in mendicant art; The Doubting Thomas and Franciscan renewal in the early Renaissance; ‘Toccate il vero’: evidence, belief, and images of the Doubting Thomas in the public eye; The decorum of touch: private devotional images of St. Mary Magdalene and the Noli me tangere in central and northern Italy; Experiencing faith after the Reformation. (Visual Culture in Early Modernity)

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