Item Number: 133157 Title: New Objectivity : Modern German Art in the Weimar Republic 1919-1933 Author: Barron, Stephanie ; Sabine Eckmann (eds) Price: Not Available ISBN: 9783791354316 Description: Munich-New York: Prestel, 2015. 29cm., hardcover, 360pp., 300 color illus. Exhibition to be held at Los Angeles County Museum of Art. Summary: Germany’s Weimar Republic, established between the end of World War I and the Nazi rise to power, was a thriving laboratory of art and culture. As the country experienced unprecedented and often tumultuous social, economic, and political upheaval, many artists rejected Expressionism in favor of a new realism to capture this emerging society. Dubbed Neue Sachlichkeit—New Objectivity—its adherents turned a cold eye on the new Germany: its desperate prostitutes, crippled war veterans, and alienated urban landscapes, but also its emancipated New Woman, modern architecture, and mass-produced commodities. New Objectivity: Modern German Art in the Weimar Republic, 1919–1933 is the first comprehensive exhibition in the United States to explore the dominant artistic trends of this period. Organized around five thematic sections and featuring 150 works by more than 50 artists, the exhibition mixes painting, photography, and works on paper to bring them into a visual dialogue. Key figures of modernism, such as Max Beckmann, Otto Dix, George Grosz, August Sander, and Christian Schad are featured alongside lesser-known artists such as Aenne Biermann, Heinrich Maria Davringhausen, Hans Finsler, Carl Grossberg, Lotte Jacobi, Alexander Kanoldt, and Georg Schrimpf. We regret to inform you that this title is no longer available. P.O. Box 3904, Kingston, New York 12402 US Phone: 845-331-8519 Fax: 845-331-0852 Email: michael@artbooks.com |
© Copyright 1996-2016
Michael Shamansky, Bookseller Inc.
Design & Hosting by
Ives & Shaughnessy Web Information Services