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Item Number: 133416
Title: Der sokratische Künstler : Studien zu REMBRANDTs Nachtwache
Author: Müller, Jürgen
Price: Not Available
ISBN: 9789004285255
Description: Leiden: Brill, 2015. 23cm., hardcover, 330pp., 94 illus. German text. Summary: The focus of Müller’s study is a new interpretation of Rembrandt’s Night Watch from 1642, which highlights the painter’s engagement with the classical art theory of Franciscus Junius. Junius’s treatise, De pictura veterum, was published in Latin in 1637 and in Dutch in 1641. Ultimately, Müller argues that Rembrandt’s group portrait was designed to present a critique of the Italianate/classical concepts of Imitatio in addition to offering an ironic commentary on artworks of the Antique and High Renaissance periods. The Dutch artist takes Raphael’s School of Athens as a reference point, thereby implicitly posing questions about appropriate and inappropriate forms of imitation. The study as a whole shows how complex and witty Rembrandt’s approach to his models could be. Although the Night Watch occupies a central place in the inquiry, the author also engages with other paintings, etchings and drawings in order to sketch the contours of Rembrandt’s ironic image making. (Brill's Studies in Intellectual History, 235)
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