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Item Number: 133417
Title: Printing Colour 1400-1700 : History, Techniques, Functions and Receptions
Author: Stijnman, Ad ; Elizabeth Upper (eds)
Price: Not Available
ISBN: 9789004269682
Description: Leiden: Brill, 2015. 29cm., hardcover, 248pp. illus. Contents: Chapter 1: Materials and Techniques for Early Colour Printing - Ad Stijnman and Elizabeth Upper. Chapter 2: Colour Printing in Relief before c.1700: A Technical History - Elizabeth Upper. Chapter 3: Colour Printing in Intaglio before c.1700: A Technical History - Ad Stijnman. Chapter 4: Colour Stamping in the Late Fifteenth and Sixteenth Centuries: Technical Sources and Workshop Practice - Doris Oltrogge. Chapter 5: The Fust and Schöffer Office and the Printing of the Two-Colour Initials in the 1457 Mainz Psalter- Mayumi Ikeda. Chapter 6: Colour-Printed Pasteprints, 1460s-1480s - Andreas Uhr. Chapter 7: The Birgittines of The Netherlands: Experimental Printers and Colourists - Kathryn M. Rudy. Chapter 8: The Role of Printers in the Spread of Colour Printmaking in the German-Speaking Lands, c.1476-c.1600 - Elizabeth Upper. Chapter 9: Hans Wechtlin and the Production of German Colour Woodcuts - Alice Klein. Chapter 10: Ugo da Carpi's Diogenes - Naoko Takahatake. Chapter 11: The Chiaroscuro Woodcut Printmaking of Ugo da Carpi, Niccolò Vicentino and Antonio da Trento: Technique in Relation to Artistic Style - Linda Stiber Morenus. Chapter 12: A Technical Study of Sixteenth-Century Italian Chiaroscuro Woodcuts - Beth A. Price (et al). Chapter 13: 'Divine, August and Immortal': The Potentials and Limitations of Colour Printing in the Low Countries, c.1555 - Edward H. Wouk. Chapter 14: Hendrick Goltzius's Chiaroscuro Woodcuts Revisited- Marjolein Leesberg. Chapter 15: Dürer in Chiaroscuro: Early Modern Graphic Aesthetics and the Posthumous Production of Colour Prints - Anja Grebe. Chapter 16: The 'Camaïeu' Print in Seventeenth-Century Paris: On the Origins of Multi-tonal Printmaking in France - Alexander Dencher. Chapter 17: On Hercules Segers's 'Printed Paintings' - Jun Nakamura. Chapter 18: Opus typo-chromaticum: The Colour Prints of Johannes Teyler - Simon Turner. Chapter 19: Colourful Topography: A Short-Lived Practice in Amsterdam Print Publishing around 1700 - Elmer Kolfin and Marrigje Rikken. 20. Jacob Christoff Le Blon and the Invention of Trichromatic Colour Printing, c.1710 - Ad Stijnman. (Library of the Written Word, 41. The Handpress World, 32)
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