Contents: Anne-Laure van Bruaene, Revolting Beasts. Animal Satire and Animal Trials in the Dutch Revolt ; Christina Normore, Monkey in the Middle ; Paul J. Smith, Landscape and Body in Rabelais's Gargantua and Pantagruel ; Miya Tokumitsu, The Migrating Cannibal. Anthropophagy at Home and at the Edge of the World" ; o Nathalie de Brézé, Picturing the Soul, Living and Departed ; Marisa Bass, Patience Grows. The First Roots of Joris Hoefnagel's Emblematic Art ; Aneta Georgievska-Shine, The Album amicorum and the Kaleidoscope of the Self. Notes on the Friendship Book of Jacob Heyblocq ; Pamela Merrill Brekka, Picturing the 'Living' Tabernacle in the Antwerp Polyglot Bible ; Sarah R. Kyle, A New Heraldry. Vision and Rhetoric in the Carrara Herbal ; Elke Anna Werner, Anthropomorphic Maps. On the Aesthetic Form and Political Function of Body Metaphors in the Early Modern Europe Discourse ; Ralph Dekoninck, Between Fiction and Reality. The Image Body in the Early Modern Theory of the Symbol ; Walter S. Melion, Prodigies of Nature, Wonders of the Hand: Political Portents and Divine Artifice in Haarlem ca. 1600 ; Elizabeth J. Petcu, Anthropomorphizing the Orders. 'Terms' of Architectural Eloquence in the Northern Renaissance ; Bertrand Prévost, Visage-paysage. Problème de peinture ; Christopher P. Heuer, Nobody's Bruegel ; Larry Silver, Morbid Fascination. Death by Bruegel ; Bret Rothstein, Jan van Hemessen's Anatomy of Parody ; Michel Weemans, The Smoke of Sacrifice. Anthropomorphism and Figure in Karel van Mallery's Sacrifice of Cain and Abel for Louis Richeome's Tableaux sacrez (1601). (Intersections: Interdisciplinary Studies in Early Modern Culture, 34)

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