Contents: 1. Introduction: radiance and reflection: chrysography in Byzantine icons. 2. The radiance of Byzantine icons: the reinvention of chrysography after iconoclasm. 3. The introduction of chrysography on Crusader icons. 4. Icon or altarpiece in the Latin East and Tuscany: innovative panels in the third quarter of the thirteenth century. 5. Images of the Virgin and Child Hodegetria enthroned with chrysography by central Italian painters: Coppo di Marcovaldo to Guido da Siena. 6. Images of the Virgin and Child Hodegetria enthroned with chrysography by central Italian painters: Duccio and Cimabue. 7. Techniques for chrysography in thirteenth-century panel painting Lucy J. Wrapson. Addendum: chrysography investigation: report summary on XRF tests conducted at the National Gallery of Art on three panels Adele Wright.

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