Contents: W. Busch, Unklassische Werkprozesse. Zeichnung und Sinnstiftung ; A. de la Chapelle, Raphael: The price of success, or how to make several drawings from one ; K. Schenck, Technical observation of three drawings by Raphael from the National Gallery of Art ; C. Bambach, The cartoon for La Belle Jardinière, replicas, and practices of full-scale design in Raphael’s Florentine Madonnas ; H. Chapman, Two additions to the British Museum’s collection of Raphael drawings ; E.J. Kang, Achieving proportion and balance - An early stage in Raphael’s design process ; A. Gnann, Überlegungen zum Gebrauch der schwarzen Kreide bei Raffael ; M. Plomp, The recto/verso enigma: Workshop drawings on the verso of autograph sheets by Raphael ; C. Fischer, Raphael and Fra Bartolommeo – Drawing on Friendship ; P. Joannides, Drawings by Raphael and his immediate followers made for or employed for engravings and chiaroscuro woodcuts ; N. Takahatake, Raphael and the chiaroscuro woodcut ; M. Faietti, Raffaello di prima e seconda mano. La ricezione del giovane Parmigianino tra Parma e Bologna ; C. Robertson, Raphael into the Baroque: Drawing in the Carracci workshop.

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