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Item Number: 133775
Title: Stillness in Motion : Italy, Photography, and the Meanings of Modernity
Author: Hill, Sarah Patricia ; Giuliaa Minghelli (eds)
Price: Not Available
ISBN: 9781442649330
Description: Toronto: University of Toronto Press, 2014. 24cm., hardcover, ca. 400pp., 8 color, 133 b&w illus. Contents: 1. Photography and the Construction of Italian National Identity (Roberta Valtorta, with Sarah Patricia Hill and Giuliana Minghelli). 2. Local Colour and the Grey Aura of Modernity: Photography, Literature, and the Social Sciences in Fin-de-Siècle Italy (Maria Grazia Lolla). 3. Eternal Speed/Omnipresent Immobility: Futurism and Photography (Giuliana Minghelli). 4. The Peripatetic Portrait: Exchange and Performance in Migration Photographs at the Turn of the Nineteenth Century (Giorgia Alù). 5. Presente! The Latent Memory of Italy’s Great War in its Photographic Portraits (Luca Cottini). 6. Italian Neo-Realism between Cinema and Photography (Barbara Grespi). 7. Photographic Excess: “Scandalous” Photography in Film and Literature after the Boom (Sarah Patricia Hill). 8. Images of Violence, Violence of Images: The “Years of Lead” and the Practice of Armed Struggle between Photography and Video (Christian Uva). 9. The Body in and of the Image in the Films of Yervant Gianikian and Angela Ricci Lucchi (Robert Lumley). 10. Intersections of Photography, Writing, and Landscape: The Italian Landscape Photobook from Ghirri to Fossati and Messori (Marina Spunta). 11. A Photograph (Umberto Eco). 12. Essays: Photography and the Ready-Made and Apollo and Daphne: A Myth for Photography (Franco Vaccari); Interview with Franco Vaccari (Giuliana Minghelli). (Toronto Italian Studies)

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