Contents: 1: Aviva Burnstock: Interpreting the Results of Technical Analysis. 2: Ian Tyers: Panel Making, Sources of Wood, Construction 'Trademarks' and Conclusions on the Making and Trade in the UK. 3: Sophie Plender: Materials, Techniques and Practice: The Relationship between Artists' Treatises and Painting Methods and Techniques in Tudor and Jacobean England. 4: Libby Sheldon: Palette, Practice and Purpose: Pigments and their Employment by Native and Anglo-Netherlandish Artists in Tudor and Jacobean Paintings. 5: Rachel Billinge: Artists' Underdrawing and the Workshop Transfer Process. 6: Klaas Jan van den Berg, Katrien Keune, Suzan de Groot and Henk van Keulen: Binding Media in Tudor and Jacobean Paintings. 7: Marie Louise Sauerberg: The Conservation of Paintings from the Tudor Era in the Context of Portraits of Elizabeth I. 8: Caroline Rae: Marcus Gheeraerts the Younger, John de Critz the Elder, Robert Peake the Elder and William Larkin. 9: Lucy J. Wrapson: A Medieval Context for the Artistic Production of Painted Surfaces in England: Evidence from East Anglia (c.1400-50). 10: Susan Foister: Distinctive or Different? English Artistic Practices in a European Context. 11: Victoria Button: 'Pictures by the Life': The Materials and Techniques of Holbein's Portrait Drawings. 12: Hope Walker: Talent and Adversity: A Reassessment of the Life and Works of Hans Eworth of Antwerp and London (active 1540-74). 13: Katherine Coombs and Alan Derbyshire: . Nicholas Hilliard's Workshop Practice Reconsidered. 14: Edward Town: 'A Good Eye, and Steadfast Hand': Painting in London 1547-1625. 15: Elizabeth Goldring: Heraldic Drawing and Painting in Early Modern England. 16: Karen Hearn: Migrant Artists in Jacobean London. 17: Catharine MacLeod: Robert Peake: Portraits, Patrons and Technical Evidence. 18: Anita Jansen and Johanneke Verhave: The Ambassador and the Painter: Sir Dudley Carleton Painted by Michiel van Mierevelt. 19: David Taylor: Gesture Recognition: Adam de Colone and the Transmission of Portrait Types from the Low Countries and England to Scotland. 20: Frederick Hepburn: 'pintor Ynglés': The Earliest Evidence for Portraiture at the Court of Henry VII. 21: Charlotte Bolland: SAT SUPER EST': A Portrait of Henry Howard, Earl of Surrey. 22: Catherine Daunt: Heroes and Worthies: Emerging Antiquarianism and the Taste for Portrait Sets in England. 23: Robert Tittler: Painters' and Patrons' Circles in Provincial England, c.1580-1640. 24: Susan Bracken: Collectors in England 1580-1630 - Evolutions in Taste.

We regret to inform you that this title is no longer available.
Please contact us if you need additional assistance.