Contents: Volume 1: 1. Prologue. Part I. Aesthetics in Britain, 1725–1800: 2. Hutcheson to Hume. 3. Hogarth, Burke, and Gerard. 4. From Kames to Alison and Stewart. Part II. French Aesthetics in Mid-Century: 5. André to Rousseau. Part III. German Aesthetics between Wolff and Kant: 6. The first generation of Wolffian aesthetics. 7. German aesthetics at mid-century. 8. Coming closer to Kant. Part IV. Kant and After: 9. Kant. 10. After Kant. Volume 2: Part I. German Aesthetics in the First Half of the Nineteenth-Century: 1. Early Romanticism and idealism. 2. In the shadow of Schelling. 3. The high tide of idealism. 4. In the wake of Hegel. Part II. (Mostly) British Aesthetics in the Second Half of the Nineteenth Century: 5. Ruskin. 6. Aestheticism. 7. Bosanquet and Tolstoy. Part III. German Aesthetics in the Second Half of the Nineteenth Century: 8. In the shadow of Schopenhauer. 9. Neo-Kantian aesthetics. 10. Psychological aesthetics: play and empathy. Volume 3: Part I. German Aesthetics in the Twentieth Century: 1. German aesthetics between the wars: Lukács and Heidegger. 2. German aesthetics after World War II. Part II. Aesthetics in Britain until World War II: 3. Bloomsbury, Croce, and Bullough. 4. First responses to Croce. 5. Collingwood. Part III. American Aesthetics in the First Half of the Twentieth Century: 6. Santayana. 7. The American reception of expression theory I: Parker to Greene. 8. Dewey. 9. The American reception of expression theory II: Cassirer and Langer. 10. After Dewey and Cassirer. Part IV. Wittgenstein and After: Anglo-American Aesthetics in the Second Part of the Twentieth Century: 11. Wittgenstein. 12. The first wave. 13. The second wave.

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