Includes: S. Bann, Imitation or Substitute? The Dilemma of Reproductionin Western Art ; M. Quabba, Battista Naldini’s Imitatio: Repositioning the Drawn Copy within the Context of Cinquecento Artistic Imitation ; J. Kohl, Face Value: The Renaissance Portrait as Multiple ; G. Grossmann, The Original and Reproduction in the Architecture of Central Europe ; R. Filzmoser, Conceptualizing the Copy: Abraham Bosse’s Sentimens sur la distinction des diverses manières de peinture, desin et gravure et des originaux d’avec leurs copies ; D. Maskill, Versailles Abandoned: Copying for the Court in Early Eighteenth-Century France ; C. Mazzarelli, aphael, Annibale Carracci, and Guido Reni “In Copy”: The Cultural Impact of Roman Artworks in the Galleries of Copies of England and North America in the Eighteenth and Nineteenth Centuries ; A. Kamien-Kazhdan, Remaking the Readymade: Marcel Duchamp and Man Ray in the Galleria Schwarz ; A. Anguissola, In Search of a Language for Copies: The Greek and Latin Sources ; B. Baert, Nymph: The Reproduction of a Phantom. A Contribution to the Study of Aby Warburg (1866–1929) ; P. Schneemann, The Copy as a Reflection of Modes of Perception: Contemporary Artistic Practices and the Construction of Anagrammatic Images ; V. Lorincz, The Myth of Originality, the Copy, Reproduction, and the Multiple in Art History and the Western Legal Tradition – A Comparative Approach ; T. Kobayashi, The Influence of European Painting on Ukiyo-e ; H. Shen, Copies without the Original: King Asoka’s 84,000 Stupas and Their Replications in China ; S. Ide, Standing on the Fringes: A Broader Perspective on Sohon Buddhist Paintings in Japanese Collections ; K. Nedachi, The Intermediary Song-style Iconography of the Todai-ji Great South Gate Kongo Rikishi Sculptures ; C. Asher, Copying a Masterpiece at Home and Abroad: The Taj Mahal ; Y. Kojima, Reproduction of the Image of Madonna Salus Populi Romani in Japan ; A. Grebe, Albrecht Dürer in Asian Art: Paradigms of Cross-Cultural Reproduction and Transformation ; J. Anderson, What a “Copy” May Mean in the East and the West.

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