Contents: K. Scott, Parade’s End - On Charles-Antoine Coypel’s Bed and the Origins of Inwardness ; M. Hellman, Staging Retreat - Designs for Bathing in Eighteenth-Century France ; J. Grave, Living with Pictures - Goethe’s Interiors ; S. Diekmann, Scenes from the Dressing Room - Theatrical Interiors in Fiction Film ; A. Haverkamp, In/Doors - The Dialectic of Inside and Outside ; J. Park, ‘Marching Thoughts on White Paper’ - Margaret Cavendish’s Tools and Spaces of Proto-Novelistic Interiority ; E. Jollet, Interior in the Exterior - Marie-Antoinette’s Grotto at Trianon ; S. Sidlauskas, Inside Out - Cézanne’s Perforated Wall ; B. Sontgen, Mariology, Calvinism, Painting - Interiority in Pieter de Hooch’s Mother at a Cradle ; C. Girard, Space, Intimacy, and Deformity - Stags at Louis XV’s Versailles ; C. Klonk, Non-European Artifacts and the Art Interior of the Late 1920s and Early 1930s ; H. Kuhn, From the Household of the Soul to the Economy of Money - What Are Sixteenth-Century Merchants Doing in the Virgin Mary’s Interior? ; W. Kemp, A Room with a Temperature - On some Interiors of the 1830s/40s and the Discovery of the Energy Laws ; F. Brons, Photographic Premises - Notes on the Exposure of Interiors around 1900 ; R. Schuldenfrei, Contra the Großstadt - Mies van der Rohe’s Autonomy and Interiority ; A. Hemkendreis, Inner and Outer Realms - Opaque Windows in Vilhelm Hammershøi’s Interior Paintings ; B. Doherty, Rilke’s Magic Lantern - Figural Language and the Projection of “Interior Action” in the Rodin Lecture ; K. Sykora, Touch Screen - Skin as a Shifter between Body, Space, and Image in the Work of Birgit Jürgenssen ; A. Urban, Wild Walls, Revolving Sets, Built Cuts - Staged Interiors in Contemporary Photography and Film Installation ; B. Buchloh, Gerhard Richter’s Tisch - Memory Images and German Disavowal in 1962 ; K. Grögel, Andrea Zittel’s “Small Liberties” - Siting Interiors in the Current Media Landscape ; E. Lajer-Bucharth, Unbelonging Interior - Chantal Akerman’s Là-bas.

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