Contents: Alison K. Frazier, Introduction: Spreading the Word about Saints in Manuscript and Print ; Roberto Cobianchi, Printing a New Saint: Woodcut Production and the Canonization of Saints in Late Medieval Italy ; Barbara Wisch, Seeing is Believing: St. Lucy in Text, Image, and Festive Culture ; Pierre Bolle, Archival Documents, Early Printed Books, and Manuscripts - The Backwards Text-Tradition of St. Roch 'of Montpellier' ; Stephen Bowd, Tales from Trent: The Construction of 'Saint' Simon in Manuscript and Print ; Giuseppe Antonio Guazzelli, Early Printed Martyrologies in Italy (1486-c. 1584) ; Cécile Caby, Honoratus of Lérins: A Saint and a Holy Island Between Manuscript and Print ; Laura Ackerman Smoller, The Unstable Image of Vincent Ferrer in Manuscript and Print vitae, 1455-1555 ; Stefano Dall'Aglio, Everyone Worships Fra Girolamo as a Saint' - Savonarola's Presumed Sanctity in Sixteenth-Century Manuscripts and Prints ; Serena Spanň Martinelli and Irene Graziani, Caterina Vigri between Gender and Image - La Santa in Text and Iconography ; John Gagné, Fixing Texts and Changing Regimes - Two Holy Lives in French-Occupied Milan, ca. 1500-1525 ; Gabriella Zarri, Blessed Lucia of Narni (1476-1544) Between 'Hagiography' and 'Autobiography' - Mystical Authorship and the Persistence of the Manuscript ; Kevin Stevens, Sanctity as Cheap Print - Production, Markets, and Consumers in Early Modern Milan.

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