Contents: 1. Units of Vision and Narrative Structures: Upon Reading Poussin's Manna, Claudine Mitchell. 2. Figures of Narration in the Context of a Painted Cycle: The North Bays of the Grande Galerie at Versailles, Marianne Cojannot-Le Blanc. 3. The Crisis of Narration in Eighteenth-century French History Painting, Susanna Caviglia. 4. Obscure, Capricious and Bizarre: Neoclassical Painting and the Choice of Subject, Mark Ledbury. 5. Delacroix and 'The Work of the Reader', Beth S. Wright. 6. Narrative and History in Léopold Robert's Arrival of the Harvesters in the Pontine Marshes, Richard Wrigley. 7. Narrative Strategies in Paul Delaroche's Assassination of the Duc de Guise, Patricia Smyth. 8. Eloquent Objects: Gérôme, Laurens and the Art of Inanimate Narration, Nina Lübbren. 9. Tyrannical Inopportunity: Gustave Moreau's Anti-narrative Strategies, Scott C. Allan. 10. Theatricality Versus Anti-Theatricality: Narrative Techniques in French History Painting (1850?1900), Pierre Sérié. 11. The Conflicted Status of Narrative in the Art of Paul Gauguin, Belinda Thomson. 12. Narrativity, Temporality and Allegorisation, from Poussin to Moreau, Peter Cooke. 13. Towards a Study of Narration in Painting: The Early Modern Period, Étienne Jollet.

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